There’s something about the Carmel Highlands that keeps calling me back. This one came through in a deeper way, like the land wasn’t just scenery, it was showing me something. I painted it in a moment of full shift, when I wasn’t just passing through anymore, I was arriving.
Heavy impasto texture, 16x20 on 1-inch stretched canvas, painted with my signature palette knife technique. It holds a different frequency, layered, bold, and steady. A piece about transition, rootedness, and claiming the view as your own.
There’s something about the Carmel Highlands that keeps calling me back. This one came through in a deeper way, like the land wasn’t just scenery, it was showing me something. I painted it in a moment of full shift, when I wasn’t just passing through anymore, I was arriving.
Heavy impasto texture, 16x20 on 1-inch stretched canvas, painted with my signature palette knife technique. It holds a different frequency, layered, bold, and steady. A piece about transition, rootedness, and claiming the view as your own.
